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ANTONIO  BANDEIRA  FORTALEZA   CEARÁ   BRASIL  Pinturas abstratas
Fortaleza Ceará  Brasil  " DRAGÃO DO MAR " Centro Cultural " OBRAS DO PINTOR CEARENSE ANTONIO BANDEIRA
His  painting  of  1951, a  time  when  geometrism  was  not  popular,  show  the  he can  be  included  among  the  fist  who, in  Europe,  followed  this tendency .  For this  reason  Antonio Bandeiraplayd  a  leading  role  in  the Brasilian  panorama,  in  the  "  avant-gard  "   of  abstract  art,  at  a  time when  concretism   was   the  trend  of the  moment....  " I  never paint  pictures,  I  try   to  make  paintings"... The  famous  affirmative  by BANDEIRA  , frequently  quoted, brings  us  immediately  to  that  which is   most  significant  in   informal  abstraction.                                                    Antonio Bandeira 1922 Fortaleza  Ceará  Brasil     - 1967 morre em  Paris.

Fantastic exploration.Captivating and interesting.Cheers.

Wish you Happy  New Year 2012

Visit my website: www.lsnachar.com   -Experience the Art

Email:lsnachar@gmail.com

L.S.N.Achar,Artist

Mysore,Karnataka,India

Amazing works.Really inspired me.
So impressive.

Wish you Happy  New Year 2012

Visit my website: www.lsnachar.com   -Experience the Art

Email:lsnachar@gmail.com

L.S.N.Achar,Artist

Mysore,Karnataka,India

Brazilian Art - the second half of the twentieth century. (Abstraction)



In Brazil, the Abstraction arose in the 1950s in the last century. One of the first abstract painters was Brazilian Antonio Bandeira. At the beginning   of his career, he produced a figurative work.
In the year 1951, was organized in St. Paul, the First International Biennial of Art, the Museum of Modern Art. The Abstraction was already present in the show, causing interest and controversy.
The first abstract painters Brazilians attended the First International Biennial. Antonio Bandeira, Iberê Camargo, Lygia Clark, Manabu Mabe, Alfredo Volpi, Milton Dacosta, Waldemar Cordeiro, Ivan Serpa.
In 1952, formed a group of artists who met to study the abstractionism.This group became known as Break group, was formed by Waldemar Cordeiro, Geraldo de Barros, Lothar Charoux among others.Increasingly, the abstract expressionism began to please, and to stand as an expression of Brazilian artists. New discoveries were made. The imagination and freedom of expression found a place, and offered new ways for artists.
Some followed the path of Geometric Abstraction and Volpi, and Reuben Valentine.
Other artists have chosen an informal abstract art, without worrying about lines, shapes and spaces well defined. When using large body movements and gestures with his brushes, the artist did not respect the limits of the lines, and blended the colors according to your taste and expression.
Paintings, prints and sculptures abstractionists emerged, and were settled in the last decades of the twentieth century. They include names such as Tomie Ohtake, one of the greatest expressions of abstract art in Brazil. His work expresses mixed structures with movement and delicacy. The technique and expression are balanced, sometimes juxtaposed, and others, poetically approximate.
In the 1960s, the Brazilian art   continued in various directions. For  example, the huge abstract sculptures have become real experiences that caused new feelings in public. The artist used various materials and forms that occupied large spaces.
Abstract painting flat "jumped" the screen to fill the space with three-dimensional objects. Mobiles, boxes, tissue tunnel. Bags, straws, tents, and many other materials, became resources, transformed by the expression of abstract artist in works of art. According to Hélio Oiticica, are called "environmental manifestations."
The environmental artist wanted the audience to participate in the work.Lygia Clark was one of the artists that stood out, producing a work that drew everyone's attention. Captivating, and at the same time, challenging.   The Creeps, his famous geometric constructions in metal, live and move through the hinges, leaving the viewer to step in and interact with the work.
New materials and new techniques were added to abstract art.  collages, sculptures and photographs began   to be used by artists, often blending the abstract with the figurative, in a provocative and questioning.
Among the sculptors, Caciporé Torres and Amilcar de Castro chose sculpture in iron and steel. Krajcberg used   trunks, vines, trees and plants to denounce the destruction of nature by burning. Others liked to carve in marble and bronze, as Bruno Giorgi.
The American influence brought to Brazil the "pop art". The artists mixed texts, phrases, images and colors on the screen, forming a fairly popular than was Brazil in the 1960s.   Wesley Duke Lee, Carlos Vergara and Rubens Gerchman are just some of the artists representing this phase of contemporary painting .
In 80 years, the Brazilian art found in young people, their strength and their expression. Names emerged as Luiz Pizarro, Nuno Ramos, Leda Catunda, Daniel Senise, Carlito Carvalhosa, Rodrigo Andrade and others. Coinciding with the opening policy that the country was, once again the art gives way to new expressions and representations.
The main themes are addressed by the artists in an interesting and bold.Materials of everyday life are transformed into non-conventional media. It is time for new figurative expressions.
Abstract art was very important for the evolution of our artistic expression. The Abstraction allowed   our artists to free themselves from conventional techniques, figures, graphics, and rigid forms. They could pursue with more intensity the truest spirit of art: emotional themselves, and others.
The art is always renewed. For art is life. New paths will outline our emotions. New paths will indicate our achievements. For the art reflects the society. Their anguish, their frustrations. The company   feeds the art.In form, line, color, brush stroke of the artist. In space and time of art, we show our desires, our hopes or our anger. And reveal the art in Brazil, as always revealed, the man: the man from Brazil.

Galeria Manabu Mabe!

 
Rio de Janeiro, 1956 
 
Marinha de Santos 
 
Natureza Morta (verso casario) 
 
Obras de Manabu Mabe – Fase Abstracionista 
Vento Vermelho 
 
Age, 1985 
 
Com dourados 
 
Dever 
 
Desenvolvimento 
 
Agonia 
 
Explosão do Progresso 
 
Devoção 
 
Contrição 
 
Grito, 1958 
 
Calligraphy, 1959 
 
Flores da alma, 1985 
 
Existência, 1985 
 
Vida, 1960 
 
último quadro pintado por Manamu Mabe (sem assinatura) 

Abstrato - Manabu Mabe

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